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Children's
Toy Advertisements - Merris Griffiths
Summary
Children’s Toy Advertisements
In the late 1990s, the controversial debate about child-targeted
advertisements was rekindled as the European Commission considered
an outright ban of children’s advertising in the UK. Little
academic research had previously been conducted on the children’s
advertisements broadcast on British television, while the specific
genre of toy advertisements had been almost entirely neglected.
The aim of this investigation was to offer in-depth analysis of
toy advertisements in the specific context of gender identity
formation. The overriding assumption was that children learn about
‘appropriate gender behaviour’ from observing patterns of gender
stereotypy in the media, where toy advertisements offer observable
models engaged in (gendered) play activities.
The investigation was organised into the three broad categories,
looking at the interrelationship between the ‘Text’
(advertisements), the ‘Producer’ (advertisers) and the ‘Receiver’
(children). Initially, a large sample of televised toy
advertisements was collected in the winter of 1996 and analysed
using both content and semiotic techniques. The intention was to
build a framework of any gendered patterns within the texts in terms
of production and post-production techniques, as well as themes and
product philosophies. This was followed by a discussion of how
advertisement producers conventionally target the child audience
sector.
Ethnographic-style field observations and interviews were then
conducted with a group of children (aged 4- to 11-years) in a
bilingual (Welsh/English) school in West Wales. A selection of toy
advertisements was shown to them, and particular attention was paid
to the ways in which they discussed technical production features
and gender representations. As an alternative to oral communication,
the children were also challenged to design their own toy
advertisements, to assess whether they understood the construction
of advertisement texts sufficiently well to reinterpret the televisual conventions in the context of a static medium.
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This
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18 Apr 2006
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